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Originally published on 06/23/03
Alternative ways for viewing web pages have been part of net culture since the beginning of the web.
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Rhizome houses some well-known browsing interfaces such as Spiral, Starry Night, Ada 1852, Context Breeder, and Troika--all exclusively providing access to the Rhizome database. [ top ] next>>

Other interfaces such as The Boxplorer by Andy Deck, Goodworld by Lew Baldwin, and Revelation1.0 by Mark Tribe focus on reformatting web pages into Mondrian-like abstractions. [ top ] next>>



And then came Epic Tales by Carlo Zanni, which reformats web pages not into allegorical modern compositions but, instead, leaves the layout intact and reinterprets the text into a combination of Modern English and 'Anglo-Saxon of an ancient warrior culture' text-types. [ top ] next>>

The result is disconcerting layouts. Unlike the alternative interfaces previously described, Epic Tales lets the user reevaluate the actual content in relation to a particular history that is not immediately connected to net technology. [ top ] next>>

The reasons behind this rhetorical strategy become evident when reading the project description, where Borges' addiction to studying languages to find his cultural roots is cited as an inspiration. Borges states: [ top ] next>>


"Each one of the words stood out as though it had been carved, as though it were a talisman. For that reason the poems of a foreign language have a prestige they do not enjoy in their own language, for one hears, one sees, each one of the words individually. We think of the beauty, of the power, or simply of the strangeness."
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And this is not far from the feeling one may get when viewing a favorite website as an 'epic tale' interpretation. [ top ] next>>
One needs to be patient with this piece, but it is worth the wait -- especially when going back to Anglo-Saxon Times. [ top ] next>>
However, it should be noted that the artist contextualizes the piece as a way to expose militaristic tendencies running through contemporary media. A dark side eventually unfolds as one views the website.

This piece is officially being launched on June 25 as a CCA:Glasgow Net Art Commission.
:: Eduardo Navas ::
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Originally published on 06/23/03
Alternative ways for viewing web pages have been part of net culture since the beginning of the web. Rhizome houses some well-known browsing interfaces such as Spiral, Starry Night, Ada 1852, Context Breeder, and Troika--all exclusively providing access to the Rhizome database. Other interfaces such as The Boxplorer by Andy Deck, Goodworld by Lew Baldwin, and Revelation1.0 by Mark Tribe focus on reformatting web pages into Mondrian-like abstractions.

And then came Epic Tales by Carlo Zanni, which reformats web pages not into allegorical modern compositions but, instead, leaves the layout intact and reinterprets the text into a combination of Modern English and 'Anglo-Saxon of an ancient warrior culture' text-types. The result is disconcerting layouts. Unlike the alternative interfaces previously described, Epic Tales lets the user reevaluate the actual content in relation to a particular history that is not immediately connected to net technology. The reasons behind this rhetorical strategy become evident when reading the project description, where Borges' addiction to studying languages to find his cultural roots is cited as an inspiration. Borges states:


Each one of the words stood out as though it had been carved, as though it were a talisman. For that reason the poems of a foreign language have a prestige they do not enjoy in their own language, for one hears, one sees, each one of the words individually. We think of the beauty, of the power, or simply of the strangeness.


And this is not far from the feeling one may get when viewing a favorite website as an 'epic tale' interpretation. One needs to be patient with this piece, but it is worth the wait -- especially when going back to Anglo-Saxon Times. However, it should be noted that the artist contextualizes the piece as a way to expose militaristic tendencies running through contemporary media. A dark side eventually unfolds as one views the website.

This piece is officially being launched on June 25 as a CCA:Glasgow Net Art Commission.
:: Eduardo Navas ::

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